The Art Avenue
The Art Avenue
Iconic Points in Time

Featured, Gallery, Past Exhibitions, SocialDiego Martinez, Painting, The Art Avenue Gallery, Tino Ortega

Iconic Points In Time

The Art Avenue

June 10, 2015

On Friday June 5th, The Art Avenue Gallery hosted the works of two of El Paso’s great artists; Diego Martinez & Tino Ortega. In celebration of their work The Art Avenue Gallery, located on 1618 Texas Avenue Suite E., featured Iconic Points in Time II. Attendees had the opportunity to experience the new expanded gallery space, acquire works from the artist and gifts from regional artists at The Art Avenue Gallery gift shop. Patrons also took part in a silent auction for artwork from the students at Eastlake High school art club, enjoyed music by Dj Surreal and food by the Cheezus 915 food truck and NOSH. Click on the image below to see the photos of this wonderful evening.

Make sure you also visit our Facebook page for the latests events.

Claudia Castaneda, Lidia Gomez, Amanda Martinez, Annika Villa, Cristina Rodriguez, Sophia Gonzalez, Kimberly Rene’ Vanecek
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Cónsul General at Consulado General de México en El Paso Jacob Prado, Kimberly Rene Vanecek
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Cónsul General at Consulado General de México en El Paso Jacob Prado, Diego Martinez, Tino Ortega
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Micheline Halloul, Megan Thompson
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Ashley Medina
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Maribel Calzada, Josue Muñoz, Joey Delgado
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Zachery Whitt, Zayra Estrada, Gisel Estrada
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Andrew Candelaria, Lidia Gomez
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Elizabeth Gonzalez, Tina Ortega and little Natalia
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Gabriel Najera, Priscilla Najera
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Photobooth @ The Art Avenue Gallery
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Erica Terrazas, Cesar Perez
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Djamina Schwegmann
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Iconic Points in Time. The Art Avenue Gallery grand Opening
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Iconic Points in Time. The Art Avenue Gallery grand Opening
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Art With A Bark

Design, FeaturedChihuahua, Creative Kids, Painting

Art With A Bark

Elena Marinaccio

May 20, 2015

A new foot-long pizza dog is being unveiled at Southwest University Park, but it’s not a crossbred snack to nosh on as you’re watching the ballgame. It’s a ceramic Chihuahua…wait for it…painted like a pizza.

And that’s just one of 40 Chihuahua statues, the themes ranging from food, Pop Art, robots and beyond, on display this summer at El Paso’s new ballpark.

The concept—which makes reference to Walter Knapp’s Cows on Parade exhibit of the ‘90s and the angel-themed public art installations found in Los Angeles—is intended to highlight the city’s fervor for its year-old Triple-A Chihuahuas, as well as the working relationship between Creative Kids and the stadium. The statues were painted by the Saturday Art Class (aka Project SAC) at Creative Kids (located in the Union Depot District), as well as the organization’s after school program in Fabens, which is sponsored by Paso del Norte Health Foundation’s IGNITE Initiative.

Piece by a student at Creative Kids
Piece by a student at Creative Kids

But this is no arts and crafts project. With an emphasis on theory and process, even the youngest children in the class (which ranges from 8-18) usually worked from 10 a.m. well into the afternoon, with some staying for four to five hours every week. A few even took the statues home to complete the project on their own time.

“The kids really embraced the challenge…they didn’t just do the easy thing,” says Kate Waggoner, one of the SAC art instructors, stating that the conceptualizing moved the kids past the idea of “painting the dog to look like a dog,” eschewing cartoon character concepts and decorative work for more inventive themes. So instead of just handing over the statues for painting, the project kicked off with hours of brainstorming, sketching and refining their ideas. “We did spend one whole day finding sources of inspiration, working out color theory and coming up with a concept,” says Waggoner. “They’re really supposed to draw from art history, modern art—we put out a bunch of images, from Warhol to Pop Art to magazine clippings, everything that could give them inspiration.”

Workshopping helped to further flesh out the concepts. “So long as they worked through the idea, and that it was strong enough that we all agreed as a group it was a really good idea, they could do it,” says Waggoner, whose background is in graphic design. “It’s always about refining it to make it more creative, more original.”

The resultant themes range from food (there are pizza and watermelon dogs) to art references from traditional Mexican folk art to Rauschenberg. Rounding out the mix are robot dogs and dogs painted to look like other animals.

A wall at Olo Gallery displaying the work of its students
A wall at Olo Gallery displaying the work of its students

One of my little ones brought in a picture of a lizard,” says Art Instructor Christin Apodaca, who has volunteered with Creative Kids for the past few years, and before that created art with the non-profit as a teenager. “She liked the scales. It had these crazy little lizard eyeballs.”

Another artistic hurdle was the medium itself, as class projects up to this point had only involved working on paper, posters and other 2-D formats. Part of the project involved teaching the students how to observe the surface design of a 3-D object as opposed to something flat. “Most of these kids hadn’t painted on a 3-D object before, so you have to take a couple steps back and really plan how you can see the object,” says Apodaca. “To throw a 3-D piece in the mix made it more difficult.”

A student at Creative Kids working on her chihuahua piece
A student at Creative Kids working on her chihuahua piece

Even with all the planning, many students found painting the 12-inch ceramic Chihuahua a continual challenge, revisiting and revising their concepts throughout the project. “As they started painting I’d go around the room and flip the dog over and say, ‘What do you see?’ And I’d see white. They had to decide how to paint the underneath of the dog as well,” says Apodaca.

The Chihuahuas are on display now at Southwest University Park. Harmonizing the canine-theme of the project, the statues will be presented to the team as part of Bark in the Park, one of three dates this year when fans are encouraged to bring their dogs to the ballgame, on August 2. The team will wear Creative Kids-designed jerseys, which will be auctioned off later that evening, with 100% of the proceeds benefiting Creative Kids.

Both instructors are eager to show off their students’ hard work. “They put their heart and soul into making it as creative and artistic as possible. They really opened up to the process,” says Waggoner, “and I think that speaks to the viewer in a fantastic way.” [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

Photos by Kate Waggoner

 

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Last Thursdays Art Crawl April 2015

SocialDowntown, Last Thursdays

Last Thursdays Art Crawl

The Art Avenue

May 14, 2015

As it has become a tradition, Downtown El Paso comes to life every last Thursday of the month, with galleries and events all over downtown. For more information visit facebook.com/Last-Thursdays-El-Paso

All photographs courtesy of Marcos Rey.

 

Last Thursdays Art Crawl April 2015
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Tex El Paso

Culture, FeaturedTED Talks, TEDx El Paso

Intellectual Hunger

Kimberly Rene' Vanecek

May 13, 2015

Local activists and civic-minded individuals have gathered a group of speakers who want to color your world through art, engage your minds on the environment, define dignity, teach you technology and rationalize racism. Tired of hearing about the lack of civic pride in our community and eager to share innovative concepts that are on the brink of discovery, this group set out to debunk the theory that El Paso is a heterogeneous community in presenting 2015 TEDx El Paso.

TEDx El Paso is a non-profit organization with an independent series of small talks scheduled for May 30 at the El Paso Community Foundation. The talks are based off the national TED brand, which engages speakers to share information ranging from art and culture to science and technology, as well as every day life issues. TED has hosted speakers as famous as Bill Gates, as well as Joe Smith who teaches you how to reduce your paper consumption by using only one paper towel to dry your hands.

A few of the scheduled speakers on the list for the May talks include UTEP’s Dr. Stacey Sowards discussing  communication—international conservation effort,” Tracey Jerome; the new director at the Museums of Cultural Affairs Department will speak on creativity and economic development; while Dr. Arvind Singhal, a UTEP professor, will be talking about the diffusion of innovations the positive deviance approach and organizing for social change.  (For a complete listing of the speakers you can go to their Facebook page:  TEDx El Paso.)

Charles Clements
Charles Clements

Chris Cummings, who works for CIC Limited, a local commercial real estate company is the sole-licensee of the TEDx El Paso independent talks.  He is one of the organizers of the event and said it collaborated with The El Paso Foundation and numerous volunteers to effectively organize the 2015 series.  There will be more than 12 speakers determined to challenge the worldwide perception of life in the Borderplex, but most importantly, our own preconceived notions at the local level.

The 100 audience members will be hearing not just from local participants, but there will be a few keynote speakers scheduled during the programming including Dr. Charlie Clements. Clements is the famed physician, human rights activist and the executive director of the Carr Center for Human Rights Policy at Harvard. “I believe he’s an amazing human rights advocate and activist. TED talks don’t have a keynote speaker, but he’s ours…he’s coming from Harvard to speak here, so that’s pretty cool,” said Cummings.  Clements wrote the book, Witness to War t he basis for the 1985 Academy Award-winning short documentary, for which Clements narrated.

Cummings hopes the panel this year will build upon the speakers from TEDx 2013.  “One of the speakers was a farm rights worker advocate, Carlos Marentes. His talk was about human rights and about being a ‘La Raza’ activist. That was great and an interesting perspective to have.  But we have to be careful with that and religion. We can talk about spirituality like Dr. Patel talked about similar to Deepak Chopra inspired concepts. Dr. Patel is a cardiologist but he’s talking about changing your ideas about health.”

Monica Lozano
Monica Lozano

The 2013 panels also included international photographer Monica Lozano who spoke about the misconceptions of life on the other side of the border, and her desire to show through photography there is beauty in darkness in Cuidad Juarez. Several other speakers were on hand, from Rosa Guerrero, Jim Ward and Dr. Richard Pineda.

Pineda, a professor at UTEP, spoke on identity: El Paso’s own identity and how others identify El Paso.

There is an intellectual hunger for ideas in El Paso. TEDx gives people a platform to express and empower others. It encourages you to engage in conversation after the talks and it’s so interesting to see what people talk about.” 

Pineda explained that those not familiar with the TED series should go to the website (www.ted.com) and look up any topic they’d like to learn more about.

Cummings received more than 50 applications over the last two months through their website. Eight curators helped to narrow the field of speakers. “We actually do have a lot of applicants coming in focused on human rights situations which I think is very interesting and reflective of what’s going on, especially with all the shootings and questioning of civil rights in this country right now, so it’s naturally trending that way right now,” said Cummings. “We have to respect how it trends.  We are not suppose to have a theme, but if [the] theme ends up being related to human rights somehow, even loosely, we are not going to stop that from happening. It’s reflective of the times. “

Once the speakers are chosen a team of volunteers, under the direction of volunteer Tyler Savage, groom them to the TED format. Cummings said the speakers have a time limit of up to 16 minutes to talk. “There is a formula to TED talks. Part of it is like an educational process. We don’t want to over formulate them and take their natural voice away, but there is a process.”

As TEDx El Paso is still perceived by some as a grassroots effort, its sustaining power in other parts of the world is substantial. “People are sort of enamored by it, there is a cult—a cult of TED.  Actually there is a New York Times article that states there is a church of TED. So we go from this range where people in El Paso have never heard of it and you have to explain it to them and then you have those individuals that are complete fanatics—so that when they hear that this is going on in El Paso, they are amazed, which is nice.  I think it’s great that El Paso can be on a global stage,” said Cummings.

Eric Pearson, president and CEO of the El Paso Community Foundation said the foundation sponsored TEDx El Paso 2013 and are honored to be a part of the 2015 series, “TEDx is a brand we like to be associated with and to be in a position of bringing people together and sharing ideas and showcase the brightest people in the community.” Pearson said the foundation provided $13,000 in funds in 2013, enabling the talks to come to fruition and believes the budget for 2015 will parallel that, “How can we make a difference? That’s important, the idea of ideas worth showing leave an open ended discussion to bridge the world.”

Jim Ward
Jim Ward

TED national has rules that limit the audience to 100 individuals and if the individual holding the license wants a larger audience, he/she must attend a national convention.  “In order for the venue to grow I have to go to a national sponsored conference. Last year it was in Rio de Janeiro. These conventions can cost anywhere between $7,500 to $15,000 dollars.” In lieu of a larger local audience Pearson and Cummings both suggest locals watch the live streaming, with www.ted.com hosting the local forum as well. Pearson expects the videos to be loaded and available for viewing on the national TED website by June. The TEDx El Paso 2013 speakers received more than 115,000 views since they were posted online last year.

If you were not one of the 100 audience members chosen for the day of the talks, you can look for live streaming directions at Tedxelpaso.com. The 2013 speakers can be viewed on the Ted website and also through YouTube. [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

Iconic Points in Time

Gallery, Past Exhibitions, SocialDiego Martinez, Painting, Tino Ortega

Iconic Points in Time

The Art Avenue

May 13, 2015

We had a fantastic time with Diego Martinez & Tino Ortega, as they showcased their work at The Art Avenue Gallery. Click on the image below to view the images.

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farming_feat

ArchitectureAnthony

Farming the Future

Victoria G. Molinar

May 13, 2015

Several years before she was planting corn, squash, tomatoes and leafy greens, much of Amy Dominguez’ time as a teenager was spent mischievously roaming the streets of her hometown Anthony, N.M. Her involvement in a gang held the heavy price of a bullet to the leg.

Today, she is one of the crew leaders of the Anthony Youth Farm, located on the corner of O’Hara Road and Highway 478. Her newfound passion for agriculture brought on by the farm led her to pursue a degree in the field at Doña Ana Community College.

If it wasn’t for the farm, I think I would have been in jail by now,” Dominguez said. “I feel good about myself because I made a lot of positive changes.”

At a time when much gang activity troubled the community, town leaders pondered how to address the increase in such crimes. “We thought, ‘Well, maybe they don’t have anything to do that’s worthwhile,’” former Anthony Water & Sanitation Superintendent Pat Banegas said. “The Water District owned this piece of farmland we acquired through state appropriations. We planted alfalfa and had a few acres left and thought maybe we can get kids involved in this.”

After Dan Darbyshire (a friend who tends to his 100-year-old family farm) helped plant the idea of utilizing a portion of the Water

& Sanitation District’s farmland for young residents five years ago, Banegas and his colleague Loren Schoonover considered how the farm could transform the community. Soon after, they received a $2,500 grant from the Anthony Rotary Club to build their first hoop houses.

They also partnered with award-winning agriculturist Don Bustos, who is the co-director of the American Friends Service Committee in New Mexico. His goal is to instill eco-friendly methods into the work of the young farmers.

Don Bustos is probably one of the first pioneers and advocates for sustainable farming,” said Martina Lorey, a well-established El Paso architect who learned about the farm through Darbyshire. “He teaches them things such as water conservation, soil conservation and other appropriate organic farming methods.”

Arial view from roadAfter learning about the farm and the impact it had on its young participants, Lorey envisioned an architectural project that would further propel the program’s community impact. Currently, the Anthony Youth farmers use about three of their 14 acres of land to grow crops and sell their produce at the Ardonvino’s Desert Crossing Farmers Market in Sunland Park, N.M. Thinking of what more could be done with their land, Lorey wanted to devise a plan that would make the area not only an educational hub for young  aspiring agriculturists, but a bustling place for the town as well.

When you build something, you don’t want it to be vacant at any percent of the time,” Lorey said. “You want to build something that could be used and utilized by the entire community.”

Last year, she reached out to Bill Helm and Edgar Lopez of In*Situ Architecture, who are recipients of several American Institute of Architects design awards and known for their certified sustainable designs in the region.

I believe Bill and Edgar to be high-minded architects that are equally committed to excellence in their work, so it just seemed like a really great group of people to work with on this project because we wanted to deliver a project that is excellent in every aspect,” Lorey said.

Plaza ViewThe three did a site analysis and considered factors such as the prevailing winds, the sun path and the view of the mountains. They learned about the aspirations the youth farmers and leaders had, such as expanding their entrepreneurial skills by running a farmers market and implementing culinary arts and craftsmanship in a classroom setting. With all of this in mind, they came up with three functional areas to create a compound that Lopez said would be built on four acres.

The first building will be the community center, which will consist of offices, classrooms, rooms for lease and a processing area for the farmers to rinse their crops and package them for retail. A café and kitchen will make up the second building, ultimately supporting the culinary arts program.

A 65-foot-high corrugated sheet metal silo will be the identifying element for the farm, which will have a greenhouse alongside it. The same area will also have a gift shop where the young farmers can sell organic plants and homemade goods, Lorey said.

Also serving as a gathering space will be a courtyard and loggias. Lorey said she hopes for the area to become a venue for weddings, quinceañeras, movie screenings and other events. While Lorey shared some conceptual renderings of the site, more amenities have been added since then, such as a stage, sun dial and reflection pond.

As a demonstration element of water harvesting, we will have an open cistern that collects [rain] water off one side of the roof, and then an aqueduct that flows from that into the reflection pond,” Helm said. “When it’s not raining, there’s a recirculating pump that runs the water just to keep it from getting stagnant and to keep the demonstration going.”

There are also plans to designate space for a weekly farmers market in front of the buildings in order to help increase economic development and community cohesion.

“We think this is going to be an incubator for the community,” said Lopez.

“That it’s going to create not only jobs, but entrepreneurs among that society.”

Although Helm said there is no set completion date for the project, he predicts construction will begin next year. In the mean time, Schoonover has been working on collecting grants for the project, which is estimated to cost about $3.4 million.

Birdseye view

The youth farm participants continue to push forward, taking classes on sustainable farming at the Anthony Water & Sanitation District facility and most recently with the Health Sciences Academy charter school in Santa Teresa, N.M.

The farm has also garnered more attention holding events on the site, such as a back-to-school festival that entailed a youth farm presentation, live performances and potato sack races. As

for the future of the farm, Schoonover said she looks forward to what the architectural project will bring.

I’m very excited. I think Anthony is going to take a totally different life,” Schoonover said. “And it’s not just going to end there. Once those buildings are done, there’s so much to do. The Anthony Youth Farm is going to be the glue that this community needs.” [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

Power by Design

Featured, Performing ArtsEl Paso Opera, Tosca

Power by Design

Erin Coulehan

May 13, 2015

It’s mid-afternoon and Dona Granata is busy sewing and planning. A stitch here, a tight seam there, possibly hemming a dress. She’s been thinking a lot about passion, power and the El Paso/Juarez region as of late—and for good reason.

On March 19 and 21, Giocomo Pucinni’s iconic opera, Tosca, will be put on in El Paso at the Abraham Chavez Theatre with a third performance on March 24th in Ciudad Juarez. Granata, who’s worked as a costume designer for a number of films that include Kansas City, Dr. T and the Woman and The Sisterhood of the Traveling Pants 2 has also worked on a number of stage productions as a set and costume designer throughout her career. Granata  is the costume designer for this production of Tosca, and is eager to satisfy the aesthetic appetites of both director David Grabarkewitz and Metropolitan Opera star Lauren Flanigan.

It’s important to me to illustrate the character according to the vision of the director,” says Granata via phone. It’s mid-February and she’s busy preparing from her office in Connecticut.

“And David’s vision for Tosca is very specific.”

Tosca Act 3 sketchPassionate, powerful and complicated, Grabarkewitz’ vision is to highlight the the drama of the opera using modern aesthetic taste.

For Granata, this means flowing gowns with powerful silhouettes to showcase Flanigan’s Tosca as the focal point of of the performance.

Tosca begins with an escaped political prisoner seeking asylum inside a church in a divided Rome in 1800 as Napoleon Bonaparte leads the French Army into Italy. A painter arrives to begin work on an image of Mary Magdalene, and it’s apparent that the painting is in the likeness to a blonde congregation member who visits the church often. Trouble is, the painter’s lover, Floria Tosca, is dark-haired…we all know where this is headed.

The painter is an ally to the prisoner, and hides him from everyone including Tosca, who is immediately suspicious. Meanwhile, the chief of police is hot on the heels of the dissident, and thus begins a tangled and dramatic web of power, passion and political motivation in three heart-pounding acts.

The opera, though written centuries ago, still resonates, and Granata believes that contemporary audiences—especially in the border region.

It’s a story about power and status within a community, and how the characters respond to their passions,” Granata says. “Tosca was a break in the fashion at the time it was written, but it’s a timeless story.”

In terms of costume design, Granata says that she opted for modern looks with classic characteristics. To accomplish this, Granata turned to traditional Catholic iconography, which she says El Paso and Juarez’ audiences will likely recognize from the Italian opera.

One big thing we’re doing is using mantillas on all the women,” she says. “All the costumes are very Mexican and very Italian. The little girls will all be in their communion dresses.”

El Paso Opera’s production of Tosca will feature some of the Metropolitan Opera’s finest, including Flanigan who will be making her international debut as Tosca and David Jackson as conductor.

This is big news not only for El Paso and Juarez communities, but a global artistic community as well.

While talking with Granata, she mentioned an interest in medicine, noting that Greeks used theater as a form of community therapy during Antiquity.

They used art as a form to heal. And whether it’s through medicine or theater, there seems to be a drive to heal and enhance communities any way possible.”

Granata, along with the El Paso Opera and stars like Flanigan, are hoping that this production will encourage audiences to explore the themes that Pucinni’s Tosca presents, and contemplate it in a contemporary context.

The arts can bridge cultures and communities. And that’s exactly what we’re going to be doing.” [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

Tosca.Act1B

Contemplating Life Through Acrylics

Featured, Visual ArtsAcrylics, Painting, Saenz

Contemplating Life Through Acrylics

Victoria G. Molinar

May 13, 2015

A painting by Valente Francisco Saenz, who simply goes by Pancho Saenz, is not something that can be taken in for a brief moment. Instead, his complex work is something that encourages a revisit, leading viewers to possibly discover something they might not have noticed before.

Strewn along the colorful geometric fragments found throughout his paintings are random images ranging from Eastern iconography to internationally recognized corporate symbols.

In his painting, “Hybridization,” for instance, eight flamingos soar above what appears to be a pixelated world where mandalas, brand names such as Coca-Cola and McDonald’s and different cultural monuments, such as Saint Basil’s Cathedral, can be seen.

The reason [the flamingos are] there is because it is only together that we’re going to be able to overcome the challenges we have in this world,” Saenz said.

TowerThe juxtaposing corporate logos aren’t one of those challenges, Saenz said, because they unify nations by being identifiable across the globe.

“These companies that have presence in our country aspire to have a more secure and prosperous world,” Saenz explained. “What McDonald’s is doing essentially is investing in other countries and creating jobs in other countries.”

Despite this statement, Saenz’s idea of success does not rely on “working for the man,” as he put it, but on tapping into one’s authenticity through reflection and meditation.

I do daily meditation, which I consider to be a spiritual connection and one of the ways to align the self with the powerful and mystical force in this enigmatic universe,” Saenz said. “From this force comes my inspiration.”

Social NetworksSaenz often speaks poetically about subjects like the human spirit and the universe. Mesoamerican indigenous cultures also inspire much of Saenz’ work. An indigenous symbol can be found in “Surrounded by Eternity,” which also appropriates work by artists such as Pablo Picasso, Michelangelo, and Henri Matisse.

“It’s called ‘Surrounded by Eternity’ because although those artists aren’t alive anymore, we’re still talking about them today,” Saenz said.

The classic pieces surround a depiction of a preoccupied Saenz.

That’s me carrying a ruler, always with the concept of my mind and my heart,” Saenz said. “Should I take measurements? Should I use a narrative, or do I follow my heart?

It is evident throughout his work that he does all of the above. Along with the symbolism and abstract figures in his pieces, many of them also contain repeating geometric shapes. They represent the universe, Saenz said.

Everything in this universe is always in constant flux,” Saenz said. “Nothing is static, so for me it’s evolving.”

While Saenz has over 25 years of experience as an artist, he remains bright eyed and eager to learn as he peruses an interdisciplinary doctorate degree at New Mexico State University, focusing on art, healing and spirituality. Prior to this scholarly endeavor, Saenz earned his bachelor’s degree in art and a Master of Arts in interdisciplinary studies focusing on museums research, both at the University of Texas at El Paso.

Hybridization

His education along with his passion led him to take on an art project with the Housing Authority of the City of El Paso (HACEP) in which residents of different living communities would contribute drawings to a total of twelve wood panels. With over a thousand drawings made by participants ranging from children to adults, the panels made up one large piece at 8 x 16 feet and are now displayed at the HACEP main office.

“My goal is to have at least one boy or girl believe in themselves and consider the possibility that their dreams can transform into realities,” Saenz said in Spanish about the project in the documentary “Art-HACEP Community Expression Project,” which follows Saenz as gathers the panels, discusses the project’s goals and exhibits the final product.

Witnessing the positive effects art has on people increased his passion for the field.

I’ve been taking art more seriously to the point where I’m focusing on exploring all the ways art can enhance or heal your life,” Saenz said. “The most important thing is to find how art can heal a person spiritually, physically, emotionally and mentally.”

Find more of Saenz’ work at IntegralLife.com/art-galleries/kosmic-wonder. [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

ppanopticon_featured

Featured, PhotographyHelm, Pinhole

Pinhole Panopticon

Kimberly Rene' Vanecek

May 13, 2015

Digital photography is simple to execute and very easy to access—the click of a button and we have a perfectly clear picture. One may wonder why we are going to celebrate pinhole photography when digital photography is currently the standard for  capturing images, objects and places. It’s easy to share and print images. As celebrations are scheduled throughout the world for the upcoming Pinhole Photography Day on April 26, are we paying homage to a dying art?

Dying? No. Rare, yes. Traditional photographic techniques have pretty much relegated to fine art photographers these days. My interests primarily focus on the relationship between the symbiotic camera and architecture,” said Bill Helm lead architect at In*Situ Architecture and a true admirer of pinhole photography. “Not only is the camera used as a means to document architecture, the camera itself can be viewed as a type of space if you think of the camera obscura (a fancy name for a pinhole camera). Likewise, architectural spaces can be thought of as cameras if you consider the ways that they frame views or create apertures for daylight.”

The camera obscura is an invention dating as far back as 989 A.D. when it was given that name by Arabian scholar Hassan ibn Hassan. The concept behind the camera obscura is quite simple: a small hole placed in one side of a light-tight box through which the light from a well lit scene enters to form an inverted image on the side of the box opposite the hole and is recorded on photographic paper.

The image that the camera produces is panoramic in nature because it’s capturing the space that it is in but it is not a panoramic in the true sense because it’s recording each side of the room and its flipping that image as it passes through the camera. Because it’s recorded on the photographic paper, what you are seeing on the projection lines is a map of that recording,”  Helm explains.

The pinholes can vary in size depending on what kind and size image you are attempting to collect. “The issue is the bigger you go with the pinhole, the fuzzier the image is. So if you want to use a camera that is portable, you would want to use a pinhole as small as you possibly could to get a sharper image.  Now if you wanted to get a fuzzy or soft focus feel—then that’s why you might want to use a bigger one,” said Helm.

The materials used to construct Helm’s pinhole camera box consisted of wood, felt lining to keep light from entering the box, piano hinges for the unfolding, custom parts fabricated from laser cut acryllic, and brass plates for the pinhole lenses.

Helm says depending on the size of the object and space, documenting the image could take seconds, minutes or even hours. One project he worked on took over 12 hours to capture the image. “If you were to do it outside in the daylight it would take two to three hours. That is because photographic paper is much less sensative than photographic film. If I had a big piece of film, it is difficult to get, handle and process.  Photographic paper is used more often because it is easier to use for pinholes. But its film speed is much slower, that’s why it’s taking so long,” said Helm.

Pinhole photography is rare for various reasons.  You can make a pinhole camera similar to Helm’s or out of a paint can or oatmeal container.  The materials, light and time are other variables. For Helm, documenting an image starts with loading the paper in a darkroom. When the location is chosen, the user must stay with the camera while it’s documenting a photo, unless it is in a position where it can’t be disturbed. The exposure time can range anywhere from five seconds to several hours. Once the image is captured the camera is brought back to the darkroom and it’s bascially developed the same way you would develop a black and white image—under a red light and washed in the chemical trays.

105_0552_1When a photographer engages in a project requiring more time for exposure, Helm says it can be contemplative in nature. “The process of working with large format view cameras and pinhole cameras is tedious. The process forces you as the photographer to slow down and carefully study the subject. That requires approaching the camera with a contemplative spirit and focus. The process then becomes one that is meditative for the photographer. Coming back to architecture, when I am designing a space as a ‘camera’ that used window apertures to focus the occupants on a particular subject, then that space can become meditative, “ said Helm.

Helm went on to reference the work of Ansel Adams who rallied the use of pinhole cameras. “I think he entered that meditative state when he’s working the camera and the space.”

A photographer known for hauling 100-pound cameras and even portable darkrooms through the American wilderness to capture his classic images, at the end of his career Adams told an interviewer, “Any photographer worth his salt could make some beautiful things with pinhole cameras.”

To learn more about Pinhole Photography and workshops around the area, check out this website:  http://pinholeday.org/ and look on our Facebook page for further information. [themify_icon icon=”fa-circle” icon_color=”#ec008b” ]

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Featured, Visual ArtsArt Therapy, CCOEA

The Magic of Art Therapy

The Art Avenue

May 13, 2015

Art makes the internal external,” says Leah Miller, owner and founder of the Counseling Center of Expressive Arts (CCOEA) in West El Paso. CCEOA specializes in art therapy, which uses a wide spectrum of visual arts with a client-specific approach to help others find a path towards emotional healing. From paint and drawing, to sand play and collage, at CCOEA, clients from ages 3 to 81 are shown a new art language to express themselves and bring about personal awareness.

Leah Miller
Leah Miller, owner and founder of the Counseling Center of Expressive Arts

Miller firmly believes that art therapy brings a form of “magic” into every counseling session. “Art is really like a third entity in the room,” she says, “and everyone has their own language in art.” Many times our spoken vocabulary seems to fail us and we can’t find the words to convey what we feel. “Art is a medium where all of our clients can feel free to be the most authentic versions of themselves,” says Miller. To some, it may seem like the counselors are taking the backdoor and, in a roundabout way, coercing those in counseling to face their issues, but Miller urges that art is a gentleman; it will never force itself on you. “Art is a respectful and gentle way to bring up issues in a metaphorical sense when the reality of an emotion or circumstance might be too painful at first, says Miller” The patients/artists use all their senses to create a piece that reflects their emotions in a way only they can.

According to the CRC Health Group who specializes in behavioral health, “the act of creating visual images is a right-brain activity.” Their website explains that this area is “where visual memories are stored, as well as the area of the brain that is relied upon the most prior to the development of a person’s ability to use spoken language.” The idea is that when words fail to articulate their emotions, visual arts can open the door to a different part of the brain to resurface certain memories and ideas buried in an otherwise dormant place. “The hardest part for some of our intern counselors is learning when to be quiet,” says Miller. When a patient is creating art, it is a very personal time of self-evaluation. “I like to say that art is the second therapist in the room,” says Miller. “I just sit quietly sometimes and let them do their art therapy, realizing that this part of their healing doesn’t include me.”

Miller tells one of her success stories about a four-year-old girl struggling with her parents’ divorce. As a part of her initial assessment, she was asked to draw a picture of her home. She draws a lopsided house with the roof is caving in on one side and there is an ominous figure looming over her; the colors cross over every line in a chaotic manifestation of a child’s inner turmoil. After several biweekly sessions, she is once again asked to draw picture of her family home. She now draws two separate houses, each one a different color and separated by a wall of Popsicle sticks. Each house has its own sun and its own dog. Two completely separate worlds. In her final weeks of therapy she’s asked one last time to draw a picture of her home. Once again she draws her two homes with two dogs, but now, replacing the thick wall stand bright green trees and colorful flowers; high in the sky is one sun shared by both homes. At the time of her last drawing Miller received excellent feedback from both the parents and the little girl’s schoolteachers. Miller explained, “This child’s drawing showed her feelings about splitting her time between her two families and learning that she could be happy in both places.”

“Sometimes the art is ugly,” says Miller. Mad art, sad art, confused art, disappointed art; these emotions don’t feel beautiful and sometimes they don’t look beautiful on the page either. At CCOEA, art serves a purpose. “We are not here to judge their art,” says Miller, “we are here to help the client find a better understanding of themselves through art as a therapeutic technique.” It’s not about the piece of art created; it’s the process by which art helps the client assign abstract meaning to a concrete problem and work towards their own path to healing. The finished product here is not something you can hang on the wall or stick to the fridge; the real work of art is very much alive within each person who has found clarity, closure, confidence and contentment through art therapy.

Photos by Alejandra Dozal

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