The Art Avenue
The Art Avenue

Visual Arts

Fran Santelli

Kimberly Rene' Vanecek

April 2, 2014

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By Kimberly Rene’ Vanecek
Additional Research by Melissa Castro

For an artist who never thought she could paint and retreated to decorating fingernails, Fran Santelli, a UTEP graduate, is making waves throughout the art world with her psychedelic paintings.  Her work is in homes and offices in Germany, South America and throughout the U.S.  She’s been the Artist on Art at The El Paso Museum of Art and is embarking on a move to Santa Fe, New Mexico to work with other budding artist.

Under the Sea
Under the Sea

You started designing when you were a child creating your own toys?

Yes! I made my own jewelry, toys and even Barbie dolls. It was a natural progression. The first time I tried to paint I used that thick paint in the tubes. I was so unfamiliar with it. I was not good, so I forgot about it and started to paint on fingernails.

Fingernails, that’s a big transition.

It was natural to try something else and before I knew it, my designs were becoming more and more intricate. It took me a while. I got to a point where I was buying all the brushes for fingernail paint when I realized, yeah, I can probably paint.

How would you describe your style of art?

Right now I would say my work is a combination of hard edge painting with a touch of optical art, mixed with a bit of abstract expressionism. I use acrylics and spray paint.

Op art usually deals with black and white colors yet you have chosen to work with psychedelic hues.

I love bright colors! They are pure-colors that have been boiled down to their essence. It’s the same reason I lean towards geometric shapes. I also like the way they remind me of toys, giving a feeling of childhood playfulness. Also when juxtaposed their contrast is intensified. I want the work to be intensely colorful giving it a cheerful alive look, if that makes sense. So when you place opposite colors together there is an intense vibration

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Half 1

There is a lot of detail to your work; it must take some time to complete a piece with so many fine points?

I get into it. There is something so meditative and I like letting it flow. It takes a while in part for technical reasons. It’s done in layers. I have to do each of the bars of color followed by a drying process in the layers. First I do the bars of color, after that the shapes. Sometimes it’s surprisingly fast. I would have to guesstimate probably a month.

Can you focus on one piece at a time?

No. I usually work on three paintings at a time. Part of the reason is because there are layers drying on one painting and I don’t want to be there twiddling my fingers.

Being comfortable with your art can be a journey. How long has it taken you, or are your secure in your style?

I probably wasn’t until 2008.  School really helped me. I had an art professor named Jim Quinnan who was so awesome. I have a tendency to have Obsessive-Compulsive Behavior with my art. I will be very tight and controlled with it, which I love, and he helped me pull something out of that OCD. I was very visceral and I would let the paint drip; that has become part of my signature. It’s something organic, uncontrolled, spontaneous and loose but mixed with something more controlled.

You are scheduled to leave for Santa Fe, New Mexico soon? 

Yes, I want to try the art scene up there and create some prospects for myself.  I want to see if I can collaborate with other artists.  I traveled there recently and now have a new favorite artist, Oli Sihvonen

To learn more, go to:  fsantelli.com

Photographs courtesy of the artist

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Gadgets

Do it Yourself, Digitally: Why the power of digital design is not so out of reach

The Art Avenue

March 31, 2014

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by Victoria Molinar

Too often, people who describe themselves as artistic will say they’re intimidated by math and science while many mathematicians and scientists will say they’re not artistically or creatively inclined. This is a common misjudgment that non-profit proprietors Gustavo Arriaga and Cathy Chen want to debunk through El Paso’s very first Fabrication Laboratory.

Fab Lab Executive Director Gustavo Arriaga demonstrates how to use the Gatorgraph, a geometric drawing machine created through Kickstarter.
Fab Lab Executive Director Gustavo Arriaga demonstrates how to use the Gatorgraph, a geometric drawing machine created through Kickstarter.

“I’ve always been a really firm believer that the divide between the sciences and humanities is a really problematic one and that people should have a more comprehensive and interdisciplinary education in order to make them really well rounded and prepared for the future in terms of the job market,” said Chen at the grand opening of the laboratory on March 1. “And also just to become more awesome people and make the world a more fun place to live in.”

Different from the usual maker and hacker spaces that cater to a collegiate crowd, Chen and Arriaga said their non-profit will provide a more user-friendly space to people of all ages with various interests, from novice entrepreneurs who want to sell unique trinkets on Etsy to college and medical school students who need to design models and apparatuses for their research projects. Their goal is to show artists, scientists, engineers and mathematicians that they can find commonality in digital design regardless of educational background.

Kossel Mini 3D Printer
Kossel Mini 3D Printer

Essential to running a Fab Lab are the machines used to create one’s designs. El Paso’s Fab Lab has a Kossel Mini robot 3D printer, a Shapeoko precision mill, a 45W Full Spectrum laser cutter, a Silhouette Portrait paper cutter and a blackFoot 4-foot-by-8-foot CNC router (a computer operated cutting machine). The CNC router has been used to make all sorts of provisions, from emergency shelters to chicken coops for urban farming.

The concept of a Fab Lab started at MIT through a partnership between the Center for Bits and Atoms and the Grassroots Invention Group with a popular class called “How to Make (Almost) Anything.”  With people of all backgrounds learning how to design their own 3D models, circuit boards and different gadgets, non-profit Fab Labs started to emerge all over the world, encouraging many financially underserved and developing communities to think outside their comfort zones and imagine the inventive possibilities.

Fab Lab Cathy Chen Outreach Director poses with their 45W Laser Cutter from Full Spectrum Engineering
Fab Lab Cathy Chen Outreach Director poses with their 45W Laser Cutter from Full Spectrum Engineering

“When you think about it, the democratization of technology and design is not really that surprising,” said Chen. “The ultimate goal is to make things more affordable for people so that they can make things themselves without having to pay the surplus cost that becomes a profit for big companies.”

Today, there are over 200 Fab Labs around the world, all serving the purpose of teaching communities that a professional background in engineering and design is not required in order to create prototypes, gizmos or for-the-fun-of-it toys.

Fab Lab will host workshops for both children and adults on subjects such as how to design and print a 3D object, make molds for something as simple as chocolate confections, and create circuit boards.

“We’re really excited to see what people come up with,” said Arriaga. “Especially the kids. If you give them access to technology and new ways to make things, they have the best ideas and come up with all kinds of crazy stuff.”

Fab Lab El Paso
806 Montana Ave.
Tuesday-Thursday 12-8 p.m., Saturday-Sunday 10 a.m.-6 p.m.
For more information, call 915-209-2656 or visit FabLabElPaso.org or facebook.com/FabLabEP

Photographs courtesy of Fab Lab

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Social

Celebramos El Segundo Barrio

The Art Avenue

March 28, 2014

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By Monique Oxford

It may be one of the poorest neighborhoods in the nation, but the history and culture of El Segundo Barrio will come alive on Saturday.

Commemorating its fourth year, Celebramos El Segundo Barrio will focus on the arts and culture of its Latino roots. Chicano artists from around the area will display their works at the Lydia Patterson Institute while visitors have an opportunity to take part in a guided walking art and history tour throughout el barrio. They can experience the lives of residents through life-sized murals painted on walls and buildings through this historical neighborhood whose roots date back to 1834.

Additional events to experience will include a health fair with free screenings, mariachi music, food booths, folkloric dancing and a food distribution from El Pasoans Fighting Hunger. There will be a Low-Rider Car Exhibit along with artwork on display from elementary and middle school students in Segundo Barrio.

Jesus “Cimi” Alvarado is an artist participating in the event and said the murals he painted are a way for him to help those maintain the culture of Segundo Barrio. “I grew up in el barrio. I am from this area. I left like many people did, but I came back. Most of my artwork is about our culture and I want to educate the kids on our past. What our parents sacrificed for us,” said Alvarado. His work can be seen throughout El Paso on buildings in both Central and South El Paso, including one on exhibit at the El Paso Museum of History.

Location:  Lydia Patterson Institute 517 S. Florence
Date:  Saturday March 29 10:00 a.m. – 2:00 p.m.

Photographed by Matt Crouch

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Performing Arts

‘La Boheme’ Comes to El Paso

The Art Avenue

March 26, 2014

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For two nights this April, Puccini’s classic bohemian love story “La Bohème” comes to the Abraham Chavez Theatre for the first time in nearly a decade.

“It’s a very truthful story about kids who go to the big city, Paris in this case, to make their fame and fortune, and find love,” Garbarkewitz said.

www.heribertoibarra.com (915) 252-7071The story follows down-on-their-luck lovers Rodolfo and Mimi in 1840s Paris. Their fortuitous meeting comes when Mimi, whose candle has gone out in the stairwell, is aided by Rodolfo’s flame. Hands touch in the darkness and the pair fall in love. However, when Mimi’s incessant coughing can no longer be ignored, Rodolfo worries she will die. In the coldness of a sparse artist’s garret, the young couple find out what love can endure.

The El Paso Opera will bring vocal talent from New York City. Soprano Danielle Walker makes her El Paso debut as Mimi, and emerging young artist Won Whi Choi plays the love-struck poet Rodolfo.

Performances at the Abraham Chavez Theatre April 10th and April 12th

Tickets may be purchased through ticketmaster.com using the code “exclusivo” to receive a discount.

La Bohem Stage Set-Paris Cafewww.heribertoibarra.com(915) 252-7071www.heribertoibarra.com(915) 252-7071www.heribertoibarra.com(915) 252-7071

Architecture

Life on the Plaza, El Paso-style

The Art Avenue

March 20, 2014

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By Cindy Graff Cohen

At the foot of the mountains on the Westside, a whole new kind of neighborhood is taking shape near the intersection of Escondido and Westwind. Called Piazza Escondida, the small development may be new for El Paso, but the plan is as old as the earliest neighborhoods in ancient history, says project developer Scott Winton, vice president of business development for Winton Homes.

Piazza-Escondida-Exterior-12From Escondido Drive, Piazza Escondida looks like a small cluster of shops or offices under construction. Then you walk behind those shops-to-be, and you enter a hidden gem, an open brick plaza centered with a sparkling fountain and benches inviting you to sit and enjoy the mountain views. Around you are two- and three-story homes with balconies and colorful details. Soft music fills the air and the community’s raised herb and flower garden promises sweet fragrances in the spring.

You’ve never been here, but you feel like you have. You’ve been in a courtyard like this before – a cozy village in France, a town square in Belgium, a plaza in Italy. Your déjà vu moment may remind you of medieval-era Venice or Seville, but walk inside any of the homes and you are definitely in 2014.

Community in the making

“I started thinking about the piazza concept for this piece of land back in 2007,” says Winton, who returned to El Paso in 2005 to work with his father Jack Winton after spending 25 years in the Austin area working in urban planning, real estate, and city government. “We had this empty lot, about 1.6 acres, next to our offices and it seemed like the best arrangement would be to build homes around the perimeter.”

Piazza-Escondida-Exterior-13Ask Winton about his inspiration and you’ll gain a new perspective on the evolution of cities, suburbs, and even lifestyles. In the earliest towns, people lived and worked in compact areas, sharing common space in the center of a town, he explains. With the advent of the car, planners moved away from tighter grids of streets and neighborhoods to speed-efficient long blocks designed to keep you driving through, losing a sense of community and intergenerational diversity in the process.

“I decided that my objectives for this development were to have an open public space, a diversity of housing types for people at various stages of life, and convenient services,” says Winton. The development includes a mix of single-family homes, studio lofts, condos, townhouses and “live-work” units, an innovative combination of second-floor living space above a first-floor office or shop with access to Escondido Drive.

The next phase was envisioning how the lot would look; he began sketching and researching. His computer is filled with hundreds of images of plazas from many different cultures and eras. He settled on an Italian-influenced design and came up with the neighborhood’s name.

“The buildings create the sense of space, but the architecture creates the sense of place,” he says. Because no parking will be permitted on the square, with cars tucked away in garages below all units or in parking lots behind the buildings, the plaza also has a sense of timelessness. “Not only will you say, ‘where am I?’” Winton laughs, “you will also say ‘when am I?’”

Innovation attracting attention

“People come into the development and the model home and say they’ve never seen anything like this in El Paso,” says Edgar Barrientos of Mendez-Burk Realty, the agency representing Piazza Escondida. “They say they’ve seen squares like this in Europe or Mexico, but not here. We’re selling a new lifestyle.” He notes that people may like the timeless feel of the homes, but they also go for the energy-efficient features, such as tankless water heaters and double-pane windows, and high-end finishing, such as granite countertops.

Piazza-Escondida-Interior-03Jaime Martinez, who bought a condo in the three-story building called the “Mansion,” reports that he and his wife, a UTEP nursing student, have been looking for a starter home since they married two years ago. They currently rent an apartment on the Westside. “I’m a workaholic so I don’t have time to work on a yard yet,” says Martinez, a plant manager at a local refinery. “I was looking for an affordable investment for now that could be easy to rent down the road when we move to a bigger home. The place seems like it will be comfortable and private, and I like the idea of getting to know your neighbors.”

“The Wintons have a good concept,” says Celia Berton, another condo purchaser. She will be moving into a handicapped-accessible unit on the first floor that eliminates troublesome steps for her husband. She likes the enclave plan and thinks it will have a cozy, neighborly atmosphere. They wanted to downsize and looked at many houses with no success. “Developers in El Paso have not taken older people into account,” she says. “Retirement homes serve their place, but we also just want smaller homes and maintenance-free living.”

Bistro on the premises

Scott Winton knew he wanted a certain kind of cuisine for the restaurant set to open this spring on the “work-live” side of the Piazza. He chose a personal chef and personal trainer, Michael Laster. Laster owns The Grape, a catering service that delivers tasty fresh lunches under 550 calories all over El Paso. The lunch delivery grew out of Laster’s other business, Home Fitness; his training clients wanted to eat healthier while working on their fitness goals.

“I was born with a passion to cook,” says Laster. The new Grape Café lunch menu will list each item’s calories, carbohydrates, proteins, fat content and even Weight Watcher points. The dinner menu will feature signature salads, steaks, salmon and, of course, Italian food. “The ambience will be like you were in Venice,” Laster notes. “We will take full advantage of El Paso’s good weather with tables on the patio and open windows onto the plaza.”

The Wintons think that the Piazza Escondida concept is catching on in El Paso. “People who have parcels of land have expressed interest in developing similar projects with us,” says Jack Winton, founder of The Winton Group.

“To go from sketches on cocktail napkins to the point where people will soon be moving in is very gratifying,” says Scott Winton. “I think Piazza Escondida will be part of the new El Paso that is taking shape.”

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Cindy Graff Cohen is now a freelance writer and editor after a long career in journalism and publishing in Washington, D.C., and Boston.

 

Photographs by Brian Wancho

Performing Arts

Opera Bhutan

The Art Avenue

February 24, 2014

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By Jenn Crawford
UTEP News Service

An international audience of close to 350 attended the premier performance of Opera Bhutan’s staging of George Frideric Handel’s Acis and Galatea, the first Western opera ever performed in the tiny Himalayan kingdom of Bhutan, and the first in the world to incorporate elements of Bhutanese music, dance and culture.

Group Photo at Paro Airport
Group Photo at Paro Airport

Thirty-one students, staff and faculty from The University of Texas at El Paso took part in the world premiere performance, along with another 40 people from countries around the world, including world-class opera singers, directors and musicians.

The production, and the years of preparation and planning that went into it, strengthened UTEP’s nearly 100-year connection with Bhutan that began with a shared architecture but had evolved to include student and cultural exchanges. For the students involved, the experience of working with top musicians and directors in a beautiful country that is inaccessible to many people in the world was a once-in-a-lifetime opportunity. They were free of the distractions of home and able to focus on learning their craft from some of the best teachers in the world.

2013-05“I can still remember the feeling I had when I was performing on stage,” said Mariana Sandoval, a junior music performance major, after returning to El Paso. “Everything that I’ve ever done no longer mattered at that moment where I was truly happy to be doing what I love with people who became family.”

 

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Social

Town Hall Meeting with Beto O’Rourke

The Art Avenue

February 24, 2014
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Design

A Roundabout way to Awareness

The Art Avenue

February 19, 2014

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In the center of a roundabout, benevolence triumphs over violence as birds charged with the history of a treacherous border region take flight. Margarita Cabrera, the artist whose work is being featured at the intersection of Country Club and Memory Lane, says she strives to harness the transformative power of art in all her pieces. An immigrant from Monterrey, Cabrera has lived in the United States from the age of 10 and her roots fuel her passion for the border region and her desire to create a conversation about the realities along the US- Mexico border. “Immigrants have a lot to give. They are cultured, hardworking and honest,” says Cabrera. One of her many aspirations is that through her artwork she can create situations where people can see and value the contributions of immigrants to their city. Her desire is for people to walk away, or drive away in this case, with awareness.

UPLIFT
UPLIFT by Margarita Cabrera

After the initial design for the roundabout was denied due to a concern by city officials that the religious connotations were too strong and that taxpayers may find it unsettling, Cabrera was left with only a month to find a new proposal. Cabrera dug deep to create a new unique and inspiring piece. She realized that the only way to create something El Paso would need and appreciate was to involve the community. UPLIFT, the name of the collaborative project that will present the 1,200-piece sculpture, brings together people from all walks of life and allows a conversation about border violence and transformation to begin. Each wing, uniquely designed by locals, carries with it, etched in the metallic feathers, a symbol that represents that individual’s own relationship to the fear and anger that is often associated with violence and their resolve to stand strong and overcome.  “I like to bring people together for ‘art encounters,’” says Cabrera. With the help of the Mexican Consulate and many local schools and volunteers, a cooperative partnership was created where citizens from both sides of the border could participate and contribute to UPLIFT. With so much community collaboration involved in the creation of this piece, citizens on both sides of the border are coauthors in a story told by this piece of art.

One of the most unique and symbolic aspects of this artistic tribute is in its very composition. In addition to the recycled metals used to create this piece, there are hundreds of confiscated guns that the El Paso Sheriff’s Department, through the collaboration of Cabrera and Sherriff Wyles, has donated. These weapons, the very items used in violent acts, are being repurposed to represent peace and the end of turmoil. In a final act of defiance against the violent history this border region has endured, Cabrera says, “I won’t be melting down all of the guns. Some are going to be in the talons of the birds being carried away never to return.”

UPLIFT by Margarita Cabrera
UPLIFT by Margarita Cabrera

Margarita Cabrera is passionate about the transforming power that art can bring to a community. “Art is a mirror that reflects society,” says Cabrera. Her statement forces us to look inward and ask what our art scene and our grassroots movements are doing to bring more art to more people in our city. What does our reflection reveal? “I no longer want El Paso to be defined as being right across the border from what used to be the most dangerous city in the world or to be the safest city in the world a stone’s throw away from a treacherous border,” says Cabrera. She says we need to start sending out a new message that speaks of new beginnings, peace on the border, and the value of the contributions in the region made possible by immigrants. “We have weathered the storm and have come out stronger and ahead.”

Photographs by Heriberto Ibarra

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Photography

Omar Augustine Hernández

Kimberly Rene' Vanecek

February 15, 2014

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In the midst of revitalization of downtown El Paso where one building is torn down to make way for a new venture, a local self-taught photographer combed the streets and alleys in an effort to document a piece of history.  Omar Augustine Hernández walked through the streets and back alleys capturing advertisements painted on buildings dating back to the 1920’s and savoring in the nostalgia of a lost medium.

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Photography

Borders Within a Border

Kimberly Rene' Vanecek

February 11, 2014

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Mr. Chair by Monica Lozano
Mr. Chair by Monica Lozano

Photographer Monica Lozano captured images of people around the world determined to gain their liberty in a new country by creating unique and inventive ways to cross the border and be free.

Lozano, originally born in El Paso, Texas and raised in both El Paso and Ciudad Juarez, is currently featuring six of her 18 photographs from the series entitled Borders at a photographic exhibition in Mexico City entitled Todos Somos Migrantes (We Are All Migrants).

The photographic exhibit, Borders (which will be displayed at the Consulate General of Mexico in El Paso this spring) reenacted the methodology each individual used to break a barrier at the border.  Lozano said she first became interested in photographing the subject after learning how one resident of Juarez attempted to immigrate into the States by stuffing himself into a car seat. It was after three months she spent researching her subjects and learning their stories, was she was able to bring them together in a studio in Spain.

While not all attempts are successful to break the borders, Lozano said all of her subjects were successful in traveling to Spain where she shot the entire series of 18 photographs. “I found it interesting that there were these huge borders throughout the world, yet in this one country, in this one place, all of my subjects were allowed to enter.”

Whether is be to stuff oneself in a suitcase or a car seat, you can read more about this story in the January/February issue of The Art Avenue on sale at The El Paso Museum of Art.

Luggage by Monica LozanoMiss. Wheel by Monica Lozano

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